EP114S

• Glasses

Includes CD, Case, Artwork!! Minor Scratches. Great Buy! Fast 1st Class Shipping!!'Era la sera del 4 Settembre 1883. Il sole equatoriale, rosso rosso, scendeva rapidamente verso le aride e dirupate montagne di Mantara, illuminando vagamente le grandi foreste di palme e di tamarindi e le coniche capanne di Machmudiech, povero villaggio sudanese, situato sulla riva destra del maestoso Bahr-el-Abiad o Nilo Bianco, a meno di quaranta miglia a sud di Chartum. Da ogni parte dell'orizzonte accorrevano bande di superbe antilopi e di sciacalli che venivano a dissetarsi sulle poetiche sponde del fiume, e nell'aria svolazzavano arditamente schiere di fenicotteri dalle penne rosee e le estremità delle ali fiammeggianti, schiere di ibis sacre che calavan sulle foglie arrotondate e galleggianti del loto, e file di grossi pellicani che s'appiattavano fra i canneti, cacciando i pesci.' A pukka c! lassic from www.arepo.bizThis book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery."The Way" is a powerful and inspirational story about family, friends, and the challenges we face while navigating this ever-changing and complicated world. Martin Sheen plays Tom, who comes to St. Jean Pied de Port, France to collect the remains of his adult son , killed in the Pyrenees in a storm while walking the Camino de Santiago,. Rather than return home, Tom decides to embark on the historical pilgrimage to honor his son's desire to finish the journey. What Tom doesn't plan on is the profound impact the journey will have on him. From the unexpected and,! oftentimes, amusing experiences along "The Way," Tom begins t! o learn what it means to be a citizen of the world again. Through his unresolved relationship with his son, he discovers the difference between "the life we live and the life we choose."An ex-con and his girlfriend embark on a bank-robbing spree and give the money they steal to farmers who are about to lose their farms.Glasses

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Divine Horsemen: The Living Gods of Haiti

• ISBN13: 9780914232636
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

They are real. They are the harbingers of the Apocalypse. And only one woman stands between them and us. THE FOUR HORSEMEN is a race-against-the-clock thriller starring Andie Sullivan. As the world's only "culturalist," she is employed by corporations and wealthy individuals to break through the barriers with any culture around the globe. Now, she faces the most challenging and dangerous assignment of her career. Hired by a ruthless businessman to infiltrate the mysterious tribe who serve as the protectors of the Four Horsemen's ancient secret, Andie is plunged into a mysterious world where every answer only opens the door to more questions. With a shadowy government force and a brutal terrorist also v! ying for the Horsemen's unfathomable power, Andie must collect them all and unlock their mysteries before time runs out.Of what use was the British cavalry during the years of trench warfare on the Western Front? On a static battlefield dominated by the weapons of the industrial age, by the machine gun and massed artillery, the cavalry was seen as an anachronism. It was vulnerable to modern armaments, of little value in combat and a waste of scarce resources.

At least, that is the common viewpoint. Indeed, the cavalry have been consistently underestimated since the first histories of the Great War were written. But, in light of modern research, is this the right verdict?

David Kenyon seeks to answer this question in his thought-provoking new study. His conclusions challenge conventional wisdom on the subject - they should prompt a radical reevaluation of the role of the horseman on the battlefields of France and Flanders a century ago.

Using evidence gaine! d from research into wartime records and the eyewitness accoun! ts of th e men who were there - who saw the cavalry in action - he reassesses the cavalry's contribution and performance. His writing gives a vivid insight into cavalry tactics and the ethos of the cavalrymen of the time. He also examines how the cavalry combined with the other arms of the British army, in particular the tanks.

His well-balanced and original study will be essential reading for students of the Western Front and for anyone who is interested in the long history of cavalry combat.A boy's account of growing up in the South during the depression era. Both a rare first novel and a new American classic, Sams novel has been compared to Tom Sawyer and To Kill a Mockingbird.Includes photographs and drawings. Foreword by Joseph Campbell This is the classic, intimate study, movingly written with the special insight of direct encounter, which was first published in 1953 by the fledgling Thames & Hudson firm in a series edited by Joseph Campbell. Maya Deren's Divine Horse! men is recognized throughout the world as a primary source book on the culture and spirituality of Haitian Voudoun. The work includes all the original photographs and illustrations, glossary, appendices and index. It includes the original Campbell foreword along with the foreword Campbell added to a later edition.

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Civil Brand

• DVD Details: Actors: LisaRaye, N'Bushe Wright, Mos Def, Monica Calhoun, Clifton Powell
• Directors: Neema Barnette
• Format: Closed-captioned, Color, Dolby, DVD, Subtitled, NTSC Region 1 (U.S. and Canada only)
• Number of discs: 1; Studio: Lions Gate
• DVD Release Date: January 27, 2004; Run Time: 95 minutes

CIVIL BRAND - DVD Movie

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Anvil Poster - Concert the Story of Hard N' Heavy

• Anvil Poster
• Poster to advertise an Anvil Concert in Seattle
• April 14, 2009
• Poster size 11 x 17 in ches 28 x 43 cm
• Only 300 printed

In 1981, Canadian Heavy Metal band Anvil released their first album, Hard 'n' Heavy. Years later, the likes of Metallica and Slayer would cite Anvil as a key influence, but lead vocalist Steve "Lips" Kudlow and drummer Robb Reiner struggled to keep the band alive. Documentary filmmaker Sacha Gervasi follows Kudlow and Reiner as they struggle to keep their ambitions alive despite 35 years of missing the brass ring in Anvil! The True Story of Anvil, which paints a sympathetic but warts-and-all portrait of the unexpected consequences of the rock & roll dream.YEAR: 2009Is Anvil the real Spinal Tap? That's a label that could be applied to any number of hapless hard rock bands, but there's enough evidence in Anvil: The Story of Anvil to suggest that these guys may have, uh, tapped into the motherlode. The parallels are many, including getting lost on the way to a gig, playing before 174 people in a 10,000 capacity venue (in Transylvania, yet), inept management, ridiculous songs (even Nigel Tufnel and David St. Hubbins couldn't match "Thumb Hang," an Anvil tune about the Spanish Inquisition)… heck, they even visit (the real) Stonehenge. But dig deeper and you'll find some real heart in this 2007 documentary. Two hearts, actually--the ones belonging to singer-guitarist Steve "Lips" Kudlow and drummer Robb Reiner (remove one "b" and you've got the director of This Is Spinal Tap). These two were there when the Canadian metal band formed in the early '80s and went on to share festival stages with the likes of Bon Jovi and Whitesnake. Now, a quarter century later (a new bassist and guitarist joined in the '90s), Reiner and Kudlow are in their fifties, living in Toronto with wives, kids, and menia! l jobs. But they still haven't given up their undying belief t! hat with a new album (their thirteenth) and couple of breaks, they will be rock stars.

It doesn't happen on a mostly disastrous European tour organized by a well-meaning but inexperienced fan. It doesn't happen when they reunite with British producer Chris Tsangarides (Black Sabbath, Thin Lizzy) but find little interest in the new recording. But Kudlow, despite some bleak moments, is remarkably resilient (of the tour, he says, "Things went drastically wrong. But at least there was a tour for them to go wrong on"). And while it's a sad truth that Anvil just isn't that good--they're nowhere near the level of some of the bands they inspired, like Anthrax and Metallica--only the hardest of heart will resist rooting for them. Bonus material includes deleted scenes and commentary by director (and former roadie) Sacha Gervasi. --Sam GrahamIs Anvil the real Spinal Tap? That's a label that could be applied to any number of hapless hard rock bands, but there's enough evidence! in Anvil: The Story of Anvil to suggest that these guys may have, uh, tapped into the motherlode. The parallels are many, including getting lost on the way to a gig, playing before 174 people in a 10,000 capacity venue (in Transylvania, yet), inept management, ridiculous songs (even Nigel Tufnel and David St. Hubbins couldn't match "Thumb Hang," an Anvil tune about the Spanish Inquisition)… heck, they even visit (the real) Stonehenge. But dig deeper and you'll find some real heart in this 2007 documentary. Two hearts, actually--the ones belonging to singer-guitarist Steve "Lips" Kudlow and drummer Robb Reiner (remove one "b" and you've got the director of This Is Spinal Tap). These two were there when the Canadian metal band formed in the early '80s and went on to share festival stages with the likes of Bon Jovi and Whitesnake. Now, a quarter century later (a new bassist and guitarist joined in the '90s), Reiner and Kudlow are in their fifties, living in To! ronto with wives, kids, and menial jobs. But they still haven'! t given up their undying belief that with a new album (their thirteenth) and couple of breaks, they will be rock stars.

It doesn't happen on a mostly disastrous European tour organized by a well-meaning but inexperienced fan. It doesn't happen when they reunite with British producer Chris Tsangarides (Black Sabbath, Thin Lizzy) but find little interest in the new recording. But Kudlow, despite some bleak moments, is remarkably resilient (of the tour, he says, "Things went drastically wrong. But at least there was a tour for them to go wrong on"). And while it's a sad truth that Anvil just isn't that good--they're nowhere near the level of some of the bands they inspired, like Anthrax and Metallica--only the hardest of heart will resist rooting for them. Bonus material includes deleted scenes and commentary by director (and former roadie) Sacha Gervasi. --Sam GrahamLucado's keen observations on finding fulfillment in everyday life are beautifully presented in this gi! ft edition, interspersed with full-page calligraphic renderings of Scripture by artist Timothy Botts. Through inspirational anecdotes and observations of life, Lucado compares the lives of Christians to blacksmith's tools in various stages of usefulness.The alien Arcadians always want to fly, not to run. But whatever else she might like to call it, Maeve Cavainna is running. She is chased closely by the infamous bounty hunter, Logan Coldhand, who intends to drag her back to Axis to collect the high price on her head.

When he finally corners Maeve, the long chase seems to be over... until a frightened girl stumbles into the middle of their fight and begs for their protection. Maeve and Logan call a reluctant end to their battle and promise to help the girl, but they have agreed to far more than they know. Can the fragile peace between hunter and mark hold long enough to save the lives that depend on them?The alien Arcadians always want to fly, not to run. But what! ever else she might like to call it, Maeve Cavainna is running! . She is chased closely by the infamous bounty hunter, Logan Coldhand, who intends to drag her back to Axis to collect the high price on her head.

When he finally corners Maeve, the long chase seems to be over... until a frightened girl stumbles into the middle of their fight and begs for their protection. Maeve and Logan call a reluctant end to their battle and promise to help the girl, but they have agreed to far more than they know. Can the fragile peace between hunter and mark hold long enough to save the lives that depend on them?Poster to advertise and Anvil Concert in Seattle. One of 300 printed to advertise the show.

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Delorean Back To The Future, Part III

• 1:24 Scale Diecast Metal
• Opening Doors and moving parts

Genre: Family
Rating: PG
Release Date: 10-FEB-2009
Media Type: DVDShot back-to-back with Back to the Future II, this final chapter in the series is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Michael J. Fox's character ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of a gunman. Director Robert Zemeckis successfully blends exciting special effects with the traditions of a Western, and comes up with something original and fun. --Tom Keogh Shot back-to-back with Back to the Future II, this final chapter in the series is less hectic than that film and has the same sweet spirit of the first, albeit in a whole new setting. This time, Michael J. F! ox's character ends up in the Old West of 1885, trying to prevent the death of mad scientist Christopher Lloyd at the hands of a gunman. Director Robert Zemeckis successfully blends exciting special effects with the traditions of a Western, and comes up with something original and fun. --Tom Keogh This highly realistic 1:24 scale diecast metal replica from the Universal Studios movie Back To The Future Part 3 is 7 inches long and comes with fine details such as opening doors and adjustable steering.

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Menace II Society (Director's Cut) [Blu-ray]

• The place is Watts, but it could be any urban area blighted by guns and poverty. The person is 18-year-old Caine, but he could be any young man in the hood. The movie could only be Menace II Society, the bravura, uncompromising look at Caine s spiral from missed opportunities to inescapable missteps into the inner-city cycle of hate and death. The filmmaking duo The Hughes Brothers (Dead President

Boyz N the Hood is the critically acclaimed story of three friends growing up in a South Central Los Angeles neighborhood, and of street life where friendship, pain, danger and love combine to form reality. "The Hood" is a place where drive-by shootings and unemployment are rampant. But it is also a place where harmony coexists with adversity, especially for three young men growing up there: Doughboy (Ice Cube), an unambitious drug dealer; his brother Ricky (Morris Chestnut), a college-bound ! teenage father; and Ricky's best friend Tre (Cuba Gooding, Jr.), who aspires to a brighter future beyond "The Hood." In a world where a trip to the store can end in death, the friends have diverse reactions to their bleak surroundings. Tre's resolve is strengthened by a strong father (Larry Fishburne) who keeps him on the right track. But the lessons Tre learns are put to the ultimate test when tragedy strikes close to home, and violence seems like the only recourse. John Singleton, at the age of 23, was nominated for an Academy Award for Best Original Screenplay for his debut film, Boyz N the Hood. The film stars Laurence Fishburne, Angela Basset, Ice Cube, and Academy Award-winning actor Cuba Gooding Jr. in his first starring role in a feature film. Gooding plays Tre Styles, a teenager growing up in South Central Los Angeles. His father, Furious (Fishburne), is divorced and living away from Tre and his mother (Basset), but he's still involved in Tre's upbringing, ! teaching him the values of right and wrong and responsibility.! Meanwhi le, Tre's childhood buddies Ricky (Morris Chestnut) and Doughboy (Ice Cube) are living their lives in terms of the epidemic of violence and poverty that has plagued their neighborhood. Ricky, a talented football player, strives to get a full athletic scholarship to college. If only his SAT scores were higher. Doughboy lives a life full of crime but still remains true to his friends. The obstacles that these three young men come across result in dire consequences, devastatingly avoidable and inevitable at the same time. Boyz N the Hood is a landmark film beyond its commercial success, presenting a portrait of South Central in the late '80s and early '90s as painted by Singleton (who grew up in that neighborhood), achieving accuracy and dramatic resonance in this story of at-risk youth. --Shannon GeeJohn Singleton, at the age of 23, was nominated for an Academy Award for Best Original Screenplay for his debut film, Boyz N the Hood. The film stars Laurence ! Fishburne, Angela Basset, Ice Cube, and Academy Award-winning actor Cuba Gooding Jr. in his first starring role in a feature film. Gooding plays Tre Styles, a teenager growing up in South Central Los Angeles. His father, Furious (Fishburne), is divorced and living away from Tre and his mother (Basset), but he's still involved in Tre's upbringing, teaching him the values of right and wrong and responsibility. Meanwhile, Tre's childhood buddies Ricky (Morris Chestnut) and Doughboy (Ice Cube) are living their lives in terms of the epidemic of violence and poverty that has plagued their neighborhood. Ricky, a talented football player, strives to get a full athletic scholarship to college. If only his SAT scores were higher. Doughboy lives a life full of crime but still remains true to his friends. The obstacles that these three young men come across result in dire consequences, devastatingly avoidable and inevitable at the same time. Boyz N the Hood is a landmark film be! yond its commercial success, presenting a portrait of South Ce! ntral in the late '80s and early '90s as painted by Singleton (who grew up in that neighborhood), achieving accuracy and dramatic resonance in this story of at-risk youth. --Shannon GeeA portrait of black urban America, focusing on three friends growing up in a South Los Angeles neighborhood where friendship, pain, and love are just some of the lessons learned on the streets.
Genre: Feature Film Urban Drama
Rating: R
Release Date: 30-JAN-2007
Media Type: DVDJohn Singleton, at the age of 23, was nominated for an Academy Award for Best Original Screenplay for his debut film, Boyz N the Hood. The film stars Laurence Fishburne, Angela Basset, Ice Cube, and Academy Award-winning actor Cuba Gooding Jr. in his first starring role in a feature film. Gooding plays Tre Styles, a teenager growing up in South Central Los Angeles. His father, Furious (Fishburne), is divorced and living away from Tre and his mother (Basset), but he's still inv! olved in Tre's upbringing, teaching him the values of right and wrong and responsibility. Meanwhile, Tre's childhood buddies Ricky (Morris Chestnut) and Doughboy (Ice Cube) are living their lives in terms of the epidemic of violence and poverty that has plagued their neighborhood. Ricky, a talented football player, strives to get a full athletic scholarship to college. If only his SAT scores were higher. Doughboy lives a life full of crime but still remains true to his friends. The obstacles that these three young men come across result in dire consequences, devastatingly avoidable and inevitable at the same time. Boyz N the Hood is a landmark film beyond its commercial success, presenting a portrait of South Central in the late '80s and early '90s as painted by Singleton (who grew up in that neighborhood), achieving accuracy and dramatic resonance in this story of at-risk youth. --Shannon GeeJohn Singleton, at the age of 23, was nominated for an Academy Award! for Best Original Screenplay for his debut film, Boyz N th! e Hood. The film stars Laurence Fishburne, Angela Basset, Ice Cube, and Academy Award-winning actor Cuba Gooding Jr. in his first starring role in a feature film. Gooding plays Tre Styles, a teenager growing up in South Central Los Angeles. His father, Furious (Fishburne), is divorced and living away from Tre and his mother (Basset), but he's still involved in Tre's upbringing, teaching him the values of right and wrong and responsibility. Meanwhile, Tre's childhood buddies Ricky (Morris Chestnut) and Doughboy (Ice Cube) are living their lives in terms of the epidemic of violence and poverty that has plagued their neighborhood. Ricky, a talented football player, strives to get a full athletic scholarship to college. If only his SAT scores were higher. Doughboy lives a life full of crime but still remains true to his friends. The obstacles that these three young men come across result in dire consequences, devastatingly avoidable and inevitable at the same time. Boyz N the Hoo! d is a landmark film beyond its commercial success, presenting a portrait of South Central in the late '80s and early '90s as painted by Singleton (who grew up in that neighborhood), achieving accuracy and dramatic resonance in this story of at-risk youth. --Shannon GeeJohn Singleton’s award-winning portrayal of social problems in inner-city Los Angeles takes the form of a tale of three friends growing up together in the ‘hood’. Facing tough lives, two succumb to the crime surrounding them in their environment, but one learns to have the strength of character to do what is right and to always take responsibility for his actions. Academy Award ® nominee for Best Director and Best Writing, Screenplay Written Directly for the Screen (1992). Stars Laurence Fishburne (The Matrix Reloaded), Cuba Gooding, Jr. (Boat Trip), Ice Cube (Barbershop), Morris Chestnut (The Break Up Handbook), Angela Bassett (How Stella Got Her Groove Back).John Singleton, at the age of! 23, was nominated for an Academy Award for Best Original Scre! enplay f or his debut film, Boyz N the Hood. The film stars Laurence Fishburne, Angela Basset, Ice Cube, and Academy Award-winning actor Cuba Gooding Jr. in his first starring role in a feature film. Gooding plays Tre Styles, a teenager growing up in South Central Los Angeles. His father, Furious (Fishburne), is divorced and living away from Tre and his mother (Basset), but he's still involved in Tre's upbringing, teaching him the values of right and wrong and responsibility. Meanwhile, Tre's childhood buddies Ricky (Morris Chestnut) and Doughboy (Ice Cube) are living their lives in terms of the epidemic of violence and poverty that has plagued their neighborhood. Ricky, a talented football player, strives to get a full athletic scholarship to college. If only his SAT scores were higher. Doughboy lives a life full of crime but still remains true to his friends. The obstacles that these three young men come across result in dire consequences, devastatingly avoidable and inevita! ble at the same time. Boyz N the Hood is a landmark film beyond its commercial success, presenting a portrait of South Central in the late '80s and early '90s as painted by Singleton (who grew up in that neighborhood), achieving accuracy and dramatic resonance in this story of at-risk youth. --Shannon GeeJohn Singleton, at the age of 23, was nominated for an Academy Award for Best Original Screenplay for his debut film, Boyz N the Hood. The film stars Laurence Fishburne, Angela Basset, Ice Cube, and Academy Award-winning actor Cuba Gooding Jr. in his first starring role in a feature film. Gooding plays Tre Styles, a teenager growing up in South Central Los Angeles. His father, Furious (Fishburne), is divorced and living away from Tre and his mother (Basset), but he's still involved in Tre's upbringing, teaching him the values of right and wrong and responsibility. Meanwhile, Tre's childhood buddies Ricky (Morris Chestnut) and Doughboy (Ice Cube) are liv! ing their lives in terms of the epidemic of violence and pover! ty that has plagued their neighborhood. Ricky, a talented football player, strives to get a full athletic scholarship to college. If only his SAT scores were higher. Doughboy lives a life full of crime but still remains true to his friends. The obstacles that these three young men come across result in dire consequences, devastatingly avoidable and inevitable at the same time. Boyz N the Hood is a landmark film beyond its commercial success, presenting a portrait of South Central in the late '80s and early '90s as painted by Singleton (who grew up in that neighborhood), achieving accuracy and dramatic resonance in this story of at-risk youth. --Shannon GeeStudio: New Line Home Video Release Date: 09/08/2009 Run time: 98 minutes Rating: RTyrin Turner may not have broken out into stardom as was initially expected, but his work in Menace II Society is one of the more powerful cinematic debuts. The film, from the brother writer-director team of Allen and Albert H! ughes, chronicles life in the Los Angeles 'hood. Similar territory was covered in the equally commanding Boyz N the Hood, but what makes this cautionary tale stand out is not only the Hughes brothers' forceful story, (written with their friend, Tyger Williams) and direction, but the naturalness of then-newcomer leads Turner as Caine, Larenz Tate as O-Dog, and Jada Pinkett as Ronnie. They are so credible--occasionally frighteningly so--that the repressive universe of violent ghetto life is captured effectively. Life as portrayed here--and no doubt accurately so--is both figuratively and literally narrow. As a very young boy, Caine witnesses his dad murdered over something inconsequential, and his mom OD. His is a world where respect comes from intimidation, power from violence. Despite his understanding of right and wrong (values passed on by a good friend, his kind grandparents, a caring teacher), his life and its entrapments are too much to overcome. --N.F. Mendo! za

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A Decade Under the Influence

• The 1970s was an extraordinary time of rebellion, and of questioning every accepted idea. As political activism, the sexual revolution, teh woman's movement, and the music revolution contributed to social unrest across the country, American cinema witnessed the emergence of a new generation of filmmakers. Galvanized by a new freedom of expression, these ground-breaking artists began targeting

The 1970s was an extraordinary time of rebellion. As political activism, the sexual revolution, the women's movement, and the music revolution contributed to social unrest across America, American cinema witnessed the emergence of a new generation of filHow did Hollywood make so many great, challenging, offbeat films in the 1970s? A Decade Under the Influence lists the reasons--or rather, lets the people who did the filmmaking list the reasons. The decade-shaping interviewees include Martin Scors! ese, Robert Altman, Francis Coppola, et al. The film's argument has actually been conventional wisdom for at least 10 years, but it's well-supported by an abundance of clips, which should inspire even hardcore film buffs to seek out rarities such as Thunderbolt and Lightfoot or The King of Marvin Gardens. One might observe that the scarcity of women directors or black filmmakers suggests that the decade was not entirely golden, and the memories may be burnished a bit by nostalgia. But there's no question that the big studios were far more adventurous back then, and this briskly moving survey gives a lively Film 101 lecture in exactly why. --Robert Horton

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The Man with No Name Trilogy (A Fistful of Dollars / For a Few Dollars More / The Good, The Bad, and the Ugly) [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Box set; Color; Dolby; DTS Surround Sound; Dubbed; Full Screen; Restored; Subtitled; Widescree

Sergio Leone “spaghetti westerns” did not simply add a new chapter to the genre…they reinvented it. From his shockingly violent and stylized breakthrough, A Fistful of Dollars, to the film Quentin Tarantino calls “the best-directed movie of all time,” The Good, the Bad and the Ugly, Leone’s vision did for westerns what talkies did for all movies back in the 1920s: it elevated them to an entirely new art form. Fully restored, presented in high definition with their best-ever audio, and including audio commentaries, featurettes and more, these films are much more than the definitive Leone collection...they are the most ambitious and influential westerns ever made.

A Fistfull Of Dollars
Clint Eastwood’s legendary “M! an With No Name” makes his powerful debut in this thrilling, action-packed classic in which he manipulates two rival bands of smugglers and sets in motion a plan to destroy both in a series of brilliantly orchestrated setups, showdowns and deadly confrontations.

For A Few Dollars More
Oscar® Winner Clint Eastwood** continues his trademark role in this second installment of the trilogy, this time squaring off with Indio, the territory’s most treacherous bandit. But his ruthless rival, Colonel Mortimer (Lee Van Cleef, High Noon), is determined to bring Indio in first...dead or alive!

The Good, The Bad And The Ugly
The invincible “Man With No Name” (Eastwood) aligns himself with two gunslingers (Lee Van Cleef and Eli Wallach) to pursue a fortune in stolen gold. But teamwork doesn’t come naturally to such strong-willed outlaws, and they soon discover that their greatest challenge may be to stay focused â€" and stay alive â€" in a! country ravaged by war.Review for A Fistful of Do! llars:
A Fistful of Dollars launched the spaghetti Western and catapulted Clint Eastwood to stardom. Based on Akira Kurosawa's 1961 samurai picture Yojimbo, it scored a resounding success (in Italy in 1964 and the U.S. in 1967), as did its sequels, For a Few Dollars More and The Good, the Bad and the Ugly. The advertising campaign promoted Eastwood's character--laconic, amoral, dangerous--as the Man with No Name (though in the film he's clearly referred to as Joe), and audiences loved the movie's refreshing new take on the Western genre. Gone are the pieties about making the streets safe for women and children. Instead it's every man for himself. Striking, too, was a new emphasis on violence, with stylized, almost balletic gunfights and baroque touches such as Eastwood's armored breastplate. The Dollars films had a marked influence on the Hollywood Western--for example, Sam Peckinpah's The Wild Bunch--but their most enduring legacy is Clint Eastwood himse! lf. --Edward Buscombe

Review for The Good, the Bad, and the Ugly:
If you think of A Fistful of Dollars and For a Few Dollars More as the tasty appetizers in Sergio Leone's celebrated "Dollars" trilogy of Italian "Spaghetti" Westerns, then The Good, the Bad, and the Ugly is a lavish full-course feast. Readily identified by the popular themes of its innovative score by Ennio Morricone (one of the bestselling soundtracks of all time), this cinematic milestone eclipsed its influential predecessors with a $1.2 million budget (considered extravagant in the mid-1960s), greater production values to accommodate Leone's epic vision of greed and betrayal, and a three-hour running time for its wide-ranging plot about the titular trio of mercenaries ("Good" Blondie played by rising star Clint Eastwood, "Bad" Angel Eyes played by Lee Van Cleef, and "Ugly" Tuco played by Eli Wallach) in a ruthless Civil War-era! quest for $200,000 worth of buried Confederate gold. Virtuall! y all of Leone's stylistic attributes can be found here in full fruition, from the constant inclusion of Roman Catholic iconography to a climactic circular shoot-out, along with Leone's trademark use of surreal landscapes, brilliant widescreen compositions and extreme close-ups of actors so intimate that they burn into the viewer's memory. And while some Leone fans may favor the more scaled-down action of For a Few Dollars More or the masterful grandiosity of Once Upon a Time in the West, it was The Good, the Bad, and the Ugly that cemented Leone's reputation as a world-class director with a singular vision. --Jeff Shannon

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