Aliens vs. Predator: Requiem Action Figure

• Aliens Vs Predator Requiem Alien Warrior Action Figure

Packed with adrenaline-pumping action and heart-stopping suspense, this spectacular sequel escalates the war between sci-fi's scariest movie icons!

On Earth everyone can hear you scream, especially when a horrifying PredAlien crash-lands near a small Colorado town, killing everyone it encounters-and producing countless Alien offspring-with terrifying efficiency. When a lone Predator arrives to "clean up" the infestation, it's an all-out battle to the death with no rules, no mercy, and hundreds of innocent people caught in the crossfire. As the creature carnage continues, a handful of human survivors attempt a daring escape, but the U.S. government may be hatching a deadly plan of its own...For those who found 2004's Aliens vs. Predator too lightweight in the gore-and-guns department, Aliens vs. Predator: Requiem offers a! marked improvement in both categories, as well as a respectable amount of rumbles between the title extraterrestrials. Set in the 21st century (which predates the story to all of the Alien features), Requiem sends a crippled Predator ship crashing to Earth in a small Colorado town; unbeknownst to the locals, the craft is loaded with H.R. Giger's insectoid monsters, which make quick work of most of the population. As the human cast is slowly whittled to a few hardy (if unmemorable) souls, a Predator warrior also arrives to complicate matters and do battle with the Aliens, as well as a ferocious alien-Predator hybrid (dubbed a Predalien by the sci-fi and horror press). Visual-effects designers and music-video helmers The Strause Brothers (who make their feature directorial debut here) keep the action on frantic throughout, which is wise, since the dialogue and characters are threadbare at best; that should matter little to teenage male viewers, who are inarguab! ly the film's key audience. Fans of the Alien franchise! , howeve r, may find the offhanded nod to the series' mythology given during the finale its sole saving grace. --Paul Gaita

Beyond Alien vs. Predator: Requiem

More from the Alien Series

AVP Customer Community

More Alien-themed titles from Fox

Stills from Alien vs. Predator: Requiem

Disc 1: Widescreen Feature Rated and Unrated Versions ***Commentary by Directors Colin and Greg Strause and writer Shane Salerno **Commentary by Tom Woodruff and Alec Gillis Wayland Yutani Archives **D-Box **BD-Live Portal **Deleted Scene with Optional Director Commentary: 121-124 Extended Power Plant **Trailers: Jumper Blu-ray, Babylon AD ! Blu-ray, Hit Man Blu-ray **Fox on Blu-Ray: Alien Vs. Predator! , Behind Enemy Lines, Planet of the Apes, Transporter

Disc 2: Digital CopyFor those who found 2004's Aliens vs. Predator too lightweight in the gore-and-guns department, Aliens vs. Predator: Requiem offers a marked improvement in both categories, as well as a respectable amount of rumbles between the title extraterrestrials. Set in the 21st century (which predates the story to all of the Alien features), Requiem sends a crippled Predator ship crashing to Earth in a small Colorado town; unbeknownst to the locals, the craft is loaded with H.R. Giger's insectoid monsters, which make quick work of most of the population. As the human cast is slowly whittled to a few hardy (if unmemorable) souls, a Predator warrior also arrives to complicate matters and do battle with the Aliens, as well as a ferocious alien-Predator hybrid (dubbed a Predalien by the sci-fi and horror press). Visual-effects designers and music-video helmers The Strause Brothers (who make t! heir feature directorial debut here) keep the action on frantic throughout, which is wise, since the dialogue and characters are threadbare at best; that should matter little to teenage male viewers, who are inarguably the film's key audience. Fans of the Alien franchise, however, may find the offhanded nod to the series' mythology given during the finale its sole saving grace. --Paul Gaita

Beyond Alien vs. Predator: Requiem

Stills from Alien vs. Predator: Requiem

More from the Alien Series

AVP Customer Community

More blu-ray sci-fi from Fox

"It may be our planet, but it’s their war!" The deadliest creatures from the scariest sci-fi movies ever made face off for the fir! st time on film. The incredible adventure begins when the discovery of an ancient pyramid buried in Antarctica sends a team of scientists and adventurers to the frozen continent. There, they make an even more terrifying discovery: two alien races engaged in the ultimate battle. Whoever wins...we lose.In delivering PG-13-rated excitement, Alien vs. Predator is an acceptably average science-fiction action thriller with some noteworthy highlights, even if it squanders its opportunity to intelligently combine two popular and R-rated franchises. Rabid fans can justifiably ask "Is that all there is?" after a decade of development hell and eager anticipation, but we're compensated by reasonably logical connections to the Alien legacy and the still-kicking Predator franchise (which hinted at AVP rivalry at the end of Predator 2); some cleverly claustrophobic sets, tense atmosphere and impressive digital effects; and a climactic AVP smackdow! n that's not half bad. This disposable junk should've been bet! ter, but nobody who's seen Mortal Kombat or Resident Evil should be surprised by writer-director Paul W.S. Anderson's lack of imagination. As a brisk, 90-minute exercise in generic thrills, however, Anderson's work is occasionally impressive... right up to his shameless opening for yet another sequel. --Jeff ShannonDisc 1: AVP 1 BLU RAY Disc 2: AVP 2 BLU RAY"It may be our planet, but it?s their war!" The deadliest creatures from the scariest sci-fi movies ever made face off for the first time on film. The incredible adventure begins when the discovery of an ancient pyramid buried in Antarctica sends a team of scientists and adventurers to the frozen continent. There, they make an even more terrifying discovery: two alien races engaged in the ultimate battle. Whoever wins...we lose.In delivering PG-13-rated excitement, Alien vs. Predator is an acceptably average science-fiction action thriller with some noteworthy highlights, even if it squanders its oppor! tunity to intelligently combine two popular and R-rated franchises. Rabid fans can justifiably ask "Is that all there is?" after a decade of development hell and eager anticipation, but we're compensated by reasonably logical connections to the Alien legacy and the still-kicking Predator franchise (which hinted at AVP rivalry at the end of Predator 2); some cleverly claustrophobic sets, tense atmosphere and impressive digital effects; and a climactic AVP smackdown that's not half bad. This disposable junk should've been better, but nobody who's seen Mortal Kombat or Resident Evil should be surprised by writer-director Paul W.S. Anderson's lack of imagination. As a brisk, 90-minute exercise in generic thrills, however, Anderson's work is occasionally impressive... right up to his shameless opening for yet another sequel. --Jeff ShannonOn Christmas Day, '07 the war between the Aliens and the Predators resumes with the th! eatrical release of Aliens Vs. Predator: Requiem. These action! figures , based on the film, feature a variety of Alien and Predator characters from the film. Each stands 8" tall, are detailed, and feature multiple points of articulation.

Case includes:
(4) Alien 8"
(4) Predator 8"

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Swamp Thing Evil Un-Men Weed Killer with Bogsucker BioMask

• Villainous character taken from the early '90s Swamp Thing animated series
• Figure's and mask's eyes glow in the dark

Plant life destroyer. His Bogsucker BioMask turns him into a horrible sucking leech.

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Friday the 13th (Extended Killer Cut)

• A man in search of his missing sister stumbles across a deadly secret in the woods surrounding Crystal Lake as Texas Chainsaw Massacre redux duo Michael Bay and Marcus Nispel resurrect one of the silver screen's most feared slashers -- machete-wielding, hockey mask-wearing madman Jason Voorhees. The last time Clay heard from his sister, she was headed toward Crystal Lake. There, amidst the creaky

Camp Crystal Lake has been shuttered for over 20 years due to several vicious and unsolved murders. The camp's new owner and seven young counselors are readying the property for re-opening despite warnings of a "death curse" by local residents. The curse proves true on Friday the 13th as one by one each of the counselors is stalked by a violent killer.If you thought a bigger budget and an A-list producer (Michael Bay) would go to Jason's head, well, forget it. The indestructible villain of so many bo! ttom-of-the-barrel shockers isn't about to change his shtick, and the 2009 Friday the 13th proves it. This, the umpteenth sequel (nope, it's not a remake of the origin story) to the original 1980 movie, gives us a clever prologue that manages to fit an entire Jason Voorhees killing spree in a brisk and bloody 20 minutes. Jumping ahead six weeks, the film introduces a carload of clueless teens headed for a weekend at a lakeside cabin, plus a lone motorcyclist (Jared Padalecki) in search of his missing sister (Amanda Righetti). When the "lakeside" happens to refer to Crystal Lake, of course, there can be only one outcome. Cue the hockey mask, and pass the machete. Bay and director Marcus Nispel, who collaborated on the Texas Chainsaw Massacre remake, are surprisingly indifferent to changing up the formula this time, although there's more care taken in building up a few characters, and for once the comic relief (mostly supplied by Aaron Yoo and Arlen Escarpet! a) is pretty funny. You might even regret the slaughter of a c! ouple of these young folk, which is an unusual feeling in Friday-watching. The film's Jason is quite the athletic fellow, and he's assembled an elaborate underground corpse-hiding lair in the vicinity of Crystal Lake. How he's been able to live down there for 30 years (if the film's own timeline is to be believed) and had enough unwitting campers pass by to keep himself entertained is anybody's guess. But if they keep coming, he'll keep slashing. --Robert Horton

Also on the disc
The extended Killer Cut is 106 minutes compared to 97 for the theatrical cut, and it's hard to imagine choosing to watch the theatrical cut if you have a choice. In addition to some more of Amanda Righetti and of Jason, the extra nine minutes is mostly more gore in the gory scenes and more sex in the sexy scenes. If you're squeamish you might not want those things, but if you're that squeamish you probably don't want to watch Friday the 13th in the first place, right? Th! e longer cut will give you more of the stuff that you probably watch this movie for. There's also an 11-minute featurette on the new movie and three deleted scenes (a different version of Jason getting his mask, the police response to the phone call, and a revised climax). --David Horiuchi

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Apocalypse Now (Apocalypse Now / Apocalypse Now Redux / Hearts of Darkness) (Three-Disc Full Disclosure Edition) [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Closed-captioned; Color; Dolby; DTS Surround Sound; Special Edition; Subtitled; Widescreen

Digitally remastered with 49 minutes of previously unseen footage, Apocalypse Now Redux is the reference standard of Francis Coppola's 1979 epic. A metaphorical hallucination of the Vietnam War, the film was reconstructed by Coppola and editor Walter Murch to enrich themes and clarify the ending. On that basis Redux is a qualified success, more coherent than the original while inviting the same accusations of directorial excess. The restored "French plantation" sequence adds ghostly resonance to the war's absurdity, and Willard's theft of Colonel Kurtz's beloved surfboard adds welcomed humor to the film's nightmarish upriver journey. An encounter with Playboy Playmates seems superfluous compared to the enhanced interplay between Willard ! and his ill-fated boat crew, but compensation arrives in the hellish Kurtz compound, where Willard's mission--and the performances of Martin Sheen and Marlon Brando--reach even greater heights of insanity, thus validating Redux as the rightful heir to Coppola's triumphantly rampant ambition. --Jeff Shannon APOCALYPSE NOW REDUX - DVD MovieApocalypse Now / Apocalypse Now: Redux
In the tradition of such obsessively driven directors as Erich von Stroheim and Werner Herzog, Francis Ford Coppola approached the production of Apocalypse Now as if it were his own epic mission into the heart of darkness. On location in the storm-ravaged Philippines, he quite literally went mad as the project threatened to devour him in a vortex of creative despair, but from this insanity came one of the greatest films ever made. It began as a John Milius screenplay, transposing Joseph Conrad's classic story "Heart of Darkness" into the horrors of the Vietnam Wa! r, following a battle-weary Captain Willard (Martin Sheen) on ! a secret upriver mission to find and execute the renegade Colonel Kurtz (Marlon Brando), who has reverted to a state of murderous and mystical insanity. The journey is fraught with danger involving wartime action on epic and intimate scales. One measure of the film's awesome visceral impact is the number of sequences, images, and lines of dialogue that have literally burned themselves into our cinematic consciousness, from the Wagnerian strike of helicopter gunships on a Vietnamese village to the brutal murder of stowaways on a peasant sampan and the unflinching fearlessness of the surfing warrior Lieutenant Colonel Kilgore (Robert Duvall), who speaks lovingly of "the smell of napalm in the morning." Like Herzog's Aguirre: The Wrath of God, this film is the product of genius cast into a pit of hell and emerging, phoenix-like, in triumph. Coppola's obsession (effectively detailed in the riveting documentary Hearts of Darkness, directed by Coppola's wife, Eleanor) informs every! scene and every frame, and the result is a film for the ages. --Jeff Shannon

Hearts of Darkness
Hearts of Darkness is an engrossing, unwavering look back at Francis Coppola's chaotic, catastrophe-plagued Vietnam production, Apocalypse Now. Filled with juicy gossip and a wonderful behind-the-scenes look at the stressful world of moviemaking, the documentary mixes on-location home movies shot in the Philippines by Eleanor Coppola, the director's wife, with revealing interviews with the cast and crew, shot 10 years later. Similar to Burden of Dreams, Les Blank's absorbing portrait of Werner Herzog's struggle to make Fitzcarraldo, the film chronicles Coppola's eventual decent into obsessive psychosis as everything that could go wrong does go wrong. Storms destroy sets, money evaporates, the Philippine government continually harasses the director, Coppola has romantic affairs, and he can't write the story's ending. Everything is c! aptured on film. In the most disturbing scene, we watch Martin! Sheen h ave a drunken nervous breakdown while his director goads him on (he eventually suffered a heart attack, but finished the film).

Other incredible footage is not visual, but aural as the film includes tapes Eleanor Coppola recorded without Francis's knowledge. In them, he truly sounds like a madman as he confesses his fears about making a bomb of a movie. But while Hearts of Darkness is an amazing, voyeuristic experience, its importance lies in the personal reflections offered by those involved. Sheen, Coppola, and Dennis Hopper speak frankly without embarrassment, offering us an essential piece of film history. --Dave McCoyFrancis Ford Coppola's timeless classic comes to Blu-ray for the first time!

This 3-Disc Deluxe Edition includes Apocalypse Now and Apocalypse Now Redux in stunning new transfers supervised by Francis Ford Coppola - and presented for the first time in their original 2.35:1 theatrical aspect ratios. Also included is the feature-length! making-of documentary Hearts of Darkness, presented in a new 1080p HD transfer.

Additional features include a 48-page collectible booklet with never-before-seen archives from the set, over 9 hours of bonus features, plus a storyboard gallery, image galleries, marketing archives and an original script excerpt from John Milius featuring hand-written notes from Coppola.Apocalypse Now / Apocalypse Now: Redux
In the tradition of such obsessively driven directors as Erich von Stroheim and Werner Herzog, Francis Ford Coppola approached the production of Apocalypse Now as if it were his own epic mission into the heart of darkness. On location in the storm-ravaged Philippines, he quite literally went mad as the project threatened to devour him in a vortex of creative despair, but from this insanity came one of the greatest films ever made. It began as a John Milius screenplay, transposing Joseph Conrad's classic story "Heart of Darkness" into the h! orrors of the Vietnam War, following a battle-weary Captain Wi! llard (M artin Sheen) on a secret upriver mission to find and execute the renegade Colonel Kurtz (Marlon Brando), who has reverted to a state of murderous and mystical insanity. The journey is fraught with danger involving wartime action on epic and intimate scales. One measure of the film's awesome visceral impact is the number of sequences, images, and lines of dialogue that have literally burned themselves into our cinematic consciousness, from the Wagnerian strike of helicopter gunships on a Vietnamese village to the brutal murder of stowaways on a peasant sampan and the unflinching fearlessness of the surfing warrior Lieutenant Colonel Kilgore (Robert Duvall), who speaks lovingly of "the smell of napalm in the morning." Like Herzog's Aguirre: The Wrath of God, this film is the product of genius cast into a pit of hell and emerging, phoenix-like, in triumph. Coppola's obsession (effectively detailed in the riveting documentary Hearts of Darkness, directed by Coppola's wife! , Eleanor) informs every scene and every frame, and the result is a film for the ages. --Jeff Shannon

Hearts of Darkness
Hearts of Darkness is an engrossing, unwavering look back at Francis Coppola's chaotic, catastrophe-plagued Vietnam production, Apocalypse Now. Filled with juicy gossip and a wonderful behind-the-scenes look at the stressful world of moviemaking, the documentary mixes on-location home movies shot in the Philippines by Eleanor Coppola, the director's wife, with revealing interviews with the cast and crew, shot 10 years later. Similar to Burden of Dreams, Les Blank's absorbing portrait of Werner Herzog's struggle to make Fitzcarraldo, the film chronicles Coppola's eventual decent into obsessive psychosis as everything that could go wrong does go wrong. Storms destroy sets, money evaporates, the Philippine government continually harasses the director, Coppola has romantic affairs, and he can't write the story's! ending. Everything is captured on film. In the most disturbin! g scene, we watch Martin Sheen have a drunken nervous breakdown while his director goads him on (he eventually suffered a heart attack, but finished the film).

Other incredible footage is not visual, but aural as the film includes tapes Eleanor Coppola recorded without Francis's knowledge. In them, he truly sounds like a madman as he confesses his fears about making a bomb of a movie. But while Hearts of Darkness is an amazing, voyeuristic experience, its importance lies in the personal reflections offered by those involved. Sheen, Coppola, and Dennis Hopper speak frankly without embarrassment, offering us an essential piece of film history. --Dave McCoy

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Everybody's Nuts California Pistachios Salt & Pepper 3 lbs

• 3 pounds of delicious California Pistachios
• Perfectly seasoned with salt and pepper
• Kosher with the "circle U" symbol

Funny and inspiring, this widely acclaimed comedy takes an original look at just how far some people will go for fame! Jean is an ordinary family man and factory worker who is certain that his only child, Marva, is destined to become a famous singing star. If only Jean could catch a break ... and if only Marva could be discovered! A truly hilarious treat honored with an Academy Award(R) nomination as Best Foreign Language Film (2000) -- you'll be delighted to follow the unexpectedly outrageous steps Jean takes to make his dream a reality!This terrific, heartfelt Belgian comedy won a much-deserved Academy Award® nomination for Best Foreign Language Film in 2000. Jean dreams of giving his daughter Marva a better life than the endless slog in the factory for whic! h he fears she's destined. He does everything he can to launch her to singing stardom, but Marva, shy and overweight, finds the contests she enters humiliating and can barely conceal her contempt for Jean (as well as the songs he composes for her). Then fate comes along in the guise of beautiful singing star Debbie and a few sleeping pills Jean has handy. For all its broad comedy plotting, Everybody's Famous has a shining, gentle spirit and offers a touching portrait of proud fatherhood, including moving little moments such as Jean sitting on the concrete and listening through a window just to hear his daughter sing. This movie is so charming you can't help but enjoy it. --Ali DavisGifted artist Gerald Murphy and his elegant wife, Sara, were icons of the most enchanting period of our time; handsome, talented, and wealthy expatriate Americans, they were at the very center of the literary scene in Paris in the 1920s. In Everybody Was So Young--one of the ! best reviewed books of 1995--Amanda Vaill brilliantly portrays! both th e times in which the Murphys lived and the fascinating friends who flocked around them. Whether summering with Picasso on the French Riviera or watching bullfights with Hemingway in Pamplona, Gerald and Sara inspired kindred creative spirits like Dorothy Parker, Cole Porter, and F. Scott Fitzgerald (Nicole and Dick Diver in Tender is the Night were modeled after the Murphys). Their story is both glittering and tragic, and in this sweeping and richly anecdotal portrait of a marriage and an era, Amanda Vaill "has brought them to life as never before" (Chicago Tribune).Gerald and Sara Murphy were the golden couple of the Lost Generation. Born to wealth and privilege, they fled the stuffy confines of upper-class America to reinvent themselves in France as legendary party givers and enthusiastic participants in the modernist revolution of the 1920s. He became an important painter; she made everyday life a work of art. Their friends F. Scott Fitzgerald, Ernest ! Hemingway, and John Dos Passos all based fictional characters on the Murphys; Picasso painted them; and Calvin Tomkins rekindled their glamour for a younger generation in his affectionate 1971 portrait, Living Well Is the Best Revenge. Amanda Vaill's vivid new biography builds on Tomkins's work to provide a full-length account of the Murphys' remarkable life together.

As well as good times, that life included suffering endured with great courage. The Murphys' teenage sons died within two years of each other in the mid-1930s--one suddenly, one after a long battle with tuberculosis--and the Depression forced Gerald to resume the uncongenial work of managing his family's business. Vaill's sensitive rendering reveals the moral substance that enabled this stylish couple to survive heartbreak. But it's her marvelous evocation of those magical expatriate years that lingers in the memory. The wit and imaginative panache with which the Murphys lived sparkles ! again, recapturing a splendid historical moment. As Sara late! r said, "It was like a great fair, and everybody was so young." --Wendy Smith This terrific, heartfelt Belgian comedy won a much-deserved Academy Award® nomination for Best Foreign Language Film in 2000. Jean dreams of giving his daughter Marva a better life than the endless slog in the factory for which he fears she's destined. He does everything he can to launch her to singing stardom, but Marva, shy and overweight, finds the contests she enters humiliating and can barely conceal her contempt for Jean (as well as the songs he composes for her). Then fate comes along in the guise of beautiful singing star Debbie and a few sleeping pills Jean has handy. For all its broad comedy plotting, Everybody's Famous has a shining, gentle spirit and offers a touching portrait of proud fatherhood, including moving little moments such as Jean sitting on the concrete and listening through a window just to hear his daughter sing. This movie is so charming you can't help but enjoy i! t. --Ali DavisSpicy, but not too overwhelming. It might be your most addictive flavor. From Lost Hills California. Kirkland Signature

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Friday the 13th Part 8 Movie (Jason Takes Manhattan) Poster Print - 24x36

• decorate your walls with this brand new poster
• easy to frame and makes a great gift too
• ships quickly and safely in a sturdy protective tube
• measures 24.00 by 36.00 inches (60.96 by 91.44 cms)

After an electrifying return from the bottom of his Crystal Lake grave, indestructible psycho-slasher Jason Voorhees ships out to visit the Big Apple and paints the town red! High school senior Rennie Wickham is in for the ride of her life - and possibly her death - when she and her classmates take a graduation cruise bound for New York City. Little do they know that crazed serial killer Jason is a stowaway who quickly transforms the teen-filled "love boat" celebration into the ultimate voyage of the damned! Only a few survivors reach New York, where the bloody rampage spills into the gritty streets and subways of Manhattan in a deadly game of hide-and-seek - leading to a toxic c! onfrontation with Jason for one last, final time.

SPECIAL FEATURES:
Killer Commentary By Actors Scott Reeves, Jensen Daggett And Kane Hodder
New York Has A New Problem - The Making Of Friday the 13th Part VIII: Jason Takes Manhattan
Slashed Scenes
Gag ReelStart spreadin' the news... Jason Voorhees, the cleaver-hoisting man in the hockey mask, has finally left Crystal Lake behind and taken his vagabond shoes to the Big Apple. Actually, Jason spends most of his time on a cruise ship bound for Manhattan, carving up the unluckiest high school graduation party ever. You'd think the change of scenery might breathe new life, or death, into the series, but chapter 8 is standard stalk 'em and slash 'em fare, albeit with a nautical slant. The title hints at a comic tone, but except for the one-joke idea that Jason fits right into the menacing urban scene, forget it. (The comedy would wait until the surprisingly entertaining Jason X.) This on! e does have a pretty leading lady, Jensen Daggett, whose visio! ns of th e young drowned Jason are occasionally creepy. The grown-up Jason, like "these little-town blues," is melting away. --Robert HortonStart spreadin' the news... Jason Voorhees, the cleaver-hoisting man in the hockey mask, has finally left Crystal Lake behind and taken his vagabond shoes to the Big Apple. Actually, Jason spends most of his time on a cruise ship bound for Manhattan, carving up the unluckiest high school graduation party ever. You'd think the change of scenery might breathe new life, or death, into the series, but chapter 8 is standard stalk 'em and slash 'em fare, albeit with a nautical slant. The title hints at a comic tone, but except for the one-joke idea that Jason fits right into the menacing urban scene, forget it. (The comedy would wait until the surprisingly entertaining Jason X.) This one does have a pretty leading lady, Jensen Daggett, whose visions of the young drowned Jason are occasionally creepy. The grown-up Jason, like "these little! -town blues," is melting away. --Robert HortonOriginal Scores from the Motion Pictures: Friday The 13th, Part VII & VIII by Fred Molin

This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

Friday the 13th Part 8 Movie (Jason Takes Manhattan) Poster Print - 24x36

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The Mistress of Spices

• Tilo runs a spice store in San Francisco and has a magical gift of seeing into her customers' lives and desires. But, when a handsome, enigmatic American with a secret past enters her store, Tilo s own desires are stirred for the first time. Format: DVD MOVIE Genre: FOREIGN Rating: PG-13 Age: 796019802741 UPC: 796019802741 Manufacturer No: 80274

A clash of cultures in the spirit of MY BIG FAT GREEK WEDDING, this modern musical retelling of Jane Austen's classic PRIDE AND PREJUDICE is a hilariously entertaining tale of one girl's unlikely search for love! Sparks immediately fly as a love/hate relationship ignites between a small-town beauty (international star Aishwarya Rai) and a wealthy American (Martin Henderson -- THE RING, TORQUE) who's visiting her modest Indian village. In a swirl of music, dance, and comic misunderstandings, these opposites continue to attract and repel each other! in a riotous romance that spans three continents! Featuring Naveen Andrews (TV's LOST, THE ENGLISH PATIENT) and a memorable performance from top recording artist Ashanti -- love will eventually conquer all in this acclaimed treat from the director of BEND IT LIKE BECKHAM!The exotic sounds, vibrant colors, and ecstatic dancing of Bollywood collide with the cunning storytelling of Jane Austen in Bride & Prejudice (from the writer/director of previous East/West hybrid Bend It Like Beckham). When smart, outspoken Lalita Bakshi (Indian beauty Aishwarya Rai) meets Will Darcy (Martin Henderson, The Ring), she finds this American businessman arrogant and conceited--but because his best friend is falling in love with her sister, Lalita agrees to travel around India with Darcy. On the trip, a childhood friend of Darcy's named Johnny (Daniel Gillies, Spider-Man 2) both tickles Lalita's fancy and confirms her worst suspicions about Darcy. But as events unfo! ld, Lalita wonders if she hasn't misjudged Darcy--and Johnny. ! Austen f ans will be find much to criticize; Bride & Prejudice transplants the basic plot of Pride & Prejudice to modern India, but not much of Austen's sly wit or her insights about character and society have survived the translation. Henderson, though handsome, lacks the intimidating charisma of previous Mr. Darcys (including Laurence Olivier and Colin Firth). Thank goodness for the delightful Rai, here making her first all-English-language movie. She commands the screen like a true star (unsurprisingly, she's hugely popular in India, and previously starred in a more homegrown Austen adaptation: I Have Found It, based on Sense & Sensibility). For Western audiences unfamiliar with the freewheeling exuberance of Indian movies--wild musical numbers can break out at almost any moment--Bride & Prejudice offers an engaging taste of this fantastic cinematic style. --Bret FetzerThe exotic sounds, vibrant colors, and ecstatic dancing of Bollywood co! llide with the cunning storytelling of Jane Austen in Bride & Prejudice (from the writer/director of previous East/West hybrid Bend It Like Beckham). When smart, outspoken Lalita Bakshi (Indian beauty Aishwarya Rai) meets Will Darcy (Martin Henderson, The Ring), she finds this American businessman arrogant and conceited--but because his best friend is falling in love with her sister, Lalita agrees to travel around India with Darcy. On the trip, a childhood friend of Darcy's named Johnny (Daniel Gillies, Spider-Man 2) both tickles Lalita's fancy and confirms her worst suspicions about Darcy. But as events unfold, Lalita wonders if she hasn't misjudged Darcy--and Johnny. Austen fans will be find much to criticize; Bride & Prejudice transplants the basic plot of Pride & Prejudice to modern India, but not much of Austen's sly wit or her insights about character and society have survived the translation. Henderson, though handsome, lacks! the intimidating charisma of previous Mr. Darcys (including L! aurence Olivier and Colin Firth). Thank goodness for the delightful Rai, here making her first all-English-language movie. She commands the screen like a true star (unsurprisingly, she's hugely popular in India, and previously starred in a more homegrown Austen adaptation: I Have Found It, based on Sense & Sensibility). For Western audiences unfamiliar with the freewheeling exuberance of Indian movies--wild musical numbers can break out at almost any moment--Bride & Prejudice offers an engaging taste of this fantastic cinematic style. --Bret FetzerStudio: Tcfhe/mgm Release Date: 03/31/2009 Rating: Pg13(Romance) Tilo runs a spice store in San Francisco and has a magical gift of seeing into her customers' lives and desires. But, when a handsome, enigmatic American with a secret past enters her store, Tilo’s own desires are stirred for the first time.

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Best H.O. Money Can Buy

• 100% cotton
• Wash warm; dry low
• Imported
• Listed in men's sizes

Enjoi Best Sellers tee. Shopping cart Enjoi panda printed at front. Short sleeve. Crew neck. 100% cotton. Machine wash. Imported.The official CM Punk "Best In The World" design T-shirt is here!

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