- ISBN13: 9780811216548
- Condition: New
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Ask the Dust is a virtuoso performance by an influential master of the twentieth-century American novel. It is the story of Arturo Bandini, a young writer in 1930s Los Angeles who falls hard for the elusive, mocking, unstable Camilla Lopez, a Mexican waitress. Struggling to survive, he perseveres until, at last, his first novel is published. But the bright light of success is extinguished when Camilla has a nervous breakdown and disappears . . . and Bandini forever rejects the writer's life he fought so hard to attain.
This book is another sterling recommendation from the Saltzman workshop. The under-appreciated Fante's second outing details the adventures of his alterego, Arturo Bandini! , as the struggling young writer tackles Los Angeles in the late 1930s. And take it from personal experience, tackling L.A. as a destitute young scribe some decades later isn't much different. In other words: Fante gets it right and sets it down in his Chianti-steak-and-potatoes style, with prose both simple and rich. This Black Sparrow edition has a bonus: Charles Bukowski's great preface on how Fante stacks up against writers that were at once more famous--and far more anemic.I had a lot of jobs in Los Angeles Harbor because our family was poor and my father was dead. My first job was ditchdigging a short time after I graduated from high school. Every night I couldnât sleep from the pain in my back. We were digging an excavation in an empty lot, there wasnât any shade, the sun came straight from a cloudless sky, and I was down in that hole digging with two huskies who dug with a love for it, always laughing and telling jokes, laughing and smoking bitter tob! acco.
The dark side of On the Road: i! nstead o f seeking kicks, the French narrator travels the globe to find an ever deeper disgust for life.
Louis-Ferdinand Celine's revulsion and anger at what he considered the idiocy and hypocrisy of society explodes from nearly every page of this novel. Filled with slang and obscenities and written in raw, colloquial language, Journey to the End of the Night is a literary symphony of violence, cruelty and obscene nihilism. This book shocked most critics when it was first published in France in 1932, but quickly became a success with the reading public in Europe, and later in America where it was first published by New Directions in 1952. The story of the improbable yet convincingly described travels of the petit-bourgeois (and largely autobiographical) antihero, Bardamu, from the trenches of Wo! rld War I, to the African jungle, to New York and Detroit, and finally to life as a failed doctor in Paris, takes the readers by the scruff and hurtles them toward the novel's inevitable, sad conclusion.When it was published in 1932, this then-shocking and revolutionary first fiction redefined the art of the novel with its black humor, its nihilism, and its irreverent, explosive writing style, and made Louis-Ferdinand Celine one of France's--and literature's--most important 20th-Century writers. The picaresque adventures of Bardamu, the sarcastic and brilliant antihero of Journey to the End of the Night move from the battlefields of World War I (complete with buffoonish officers and cowardly soldiers), to French West Africa, the United States, and back to France in a style of prose that's lyrical, hallucinatory, and hilariously scathing toward nearly everybody and everything. Yet, beneath it all one! can detect a gentle core of idealism.
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